Ongoing Projects

Context:

This research explores the cultural, ritualistic, and artistic significance of Sri Lankan dance masks, known as Vesmuhunu. These masks are central to traditional dance forms and folk theatre, particularly in healing rituals such as Thovil. The study investigates the historical origins of these masks, their symbolic meanings, and their role as performative objects in Sri Lankan dance traditions.

A key focus is on Yaksha Muhunu (devil dance masks), which are among the most complex and expressive masks used in ritual performances. The research includes an analysis of a notable 17th–18th century devil dance mask housed in the British Museum’s Asian Department.

Objectives

1. Cultural Identification:
   To identify and document the various styles and functions of Sri Lankan dance masks within traditional rituals and performances.
2. Artistic Analysis:
   To examine the craftsmanship, symbolism, and aesthetic features of Vesmuhunu, highlighting their role as artistic expressions.
3. Ritual Functionality:
   To explore how masks are used in healing rituals, particularly in Thovil, where dancers embody spirits to perform exorcisms.
4. Historical Documentation:
   To trace the historical lineage of dance masks through temple carvings, museum artifacts, and oral traditions.
5. Cultural Legacy and Identity:
   To uncover how these masks contribute to Sri Lankan cultural identity and intangible heritage

Cultural Interpretation:

A framework for understanding masks as both dance objects and carriers of cultural meaning, contributing to the preservation of Sri Lankan intangible heritage